Blade Runner a Noir Movie? A Study on Multigeneric Filmmaking
Ridley Scott and his team turned Blade Runner into the perfect multigeneric film by carefully melting film noir and science fiction together. Therefore, Blade Runner is as much a noir film as it is a science fiction one, sharing pretext (subject matter, content, and theme) and text (style—setting, decor, lighting, mise-en-scène. editing, and music) with classic noir cinema…
A Semiotic Analysis of Hot Fuzz
Accomplished city police officer Nicholas Angel is transferred to work in a small country village after he’s reprimanded for being “too good” at his job. This event is the centerpoint for Edgar Wright’s 2007 film Hot Fuzz. To analyze the relationship between symbols and characters as well as the film’s overall structure, I will use concepts associated with the theory of semiotics. These semiotic concepts show us how the symbols presented in the film highlight a certain idea, as well as helping the audience comprehend the film on a macro and micro level.
Quite A Large Bite: The Tremendous Success and Influence of Jaws
With Jaws going nearly three times over schedule, two times over budget, and having a variety of technical issues, director Steven Spielberg expected to be fired any day as he sat in fear on a beach in Martha’s Vineyard. The studio didn’t have much hope either and expected Jaws to bomb dramatically at the box office. Surprisingly to both the crew and the studio, the film grossed $470 million on a budget of $7 million making it one of the most financially successful films of that time…
The Importance of the Movie-going Experience
There is something so exciting about the movie-going experience—it could be the scent of buttery popcorn, the comfy recliner seats, the massive screen, or the surround sound. Even the act of getting off the couch to go see a movie can generate joy. For most, movie theaters have had some effect on our lives…